Historical beds are very much in view at the moment. There is an exhibition at Hampton Court Palace called ‘Secrets of the Royal Bedchamber’ with an accompanying BBC4 TV programme with Lucy Worsley called ‘Tales from the Royal Bedchamber’.
What is probably the Paradise State Bed, Henry VII’s bed, jas just gone on display at Bishop Auckland Castle until the end of September 2014. Jonathan Foyle revealed the wonders of this 572 year old bed on BBC4 in the documentary, Secret Knowledge: The King’s Lost Bed.
This interest in the fantastic and fantastical beds of our monarchs is wonderful. But my good friend and colleague, Dr Angela McShane, and I have been looking at the meaning of more mundane beds from the past. We have been fascinated by the meaning of something that was fundamental to so many homes and families in early modern England.
As an item of furniture, the bed was at the centre of the domestic sphere. It was the most expensive single item of the household and many of the family’s key events happened in the marital bed. Marriages were made there, children were born, and people were nursed, and eventually died in its warmth and protection. Thus, the bed literally made the household.
But as a household space, it was not only a zone of domestic comfort – we realised it was also a battle-ground for family tensions and breakdowns. Angela and I have brought our combined knowledge of the history of design and social historical approaches to a wide range of sources on beds, including popular literature, inventories and wills, beds and textiles, and court records covering theft, property dispute and family breakdown, in order to uncover some of those stories.
We’d like to share these stories with new readers, so please follow Joanne on this blog and on twitter to see our stories unfold.
First we’re opening with the story of a problematic marriage. In 1742 13 yr old Isabel Lowee, a fatherless heiress, and 12 yr old William Cashin were wed by marriage licence in a church with closed and locked doors on the Isle of Man. After the ceremony, there was a wedding dinner and dance at Isabel’s guardian’s house and then Isabel and William were taken to the guardian’s barn to be ‘put to bed’, the traditional ritual for fixing the marriage.
There were lots of signs already that this union was a wrong-un. The husband and wife were too young – the usual age of marriage was around the mid twenties. Instead of being a public ceremony, the church’s doors were closed to prevent publicity and the licence was questioned by Isabel’s family who accused the Cashins of coercing Isabel so that they could lay their hands on her inheritance. They claimed that William’s family took Isabel away from her friends and persuaded her to marry with fine clothes and a ‘babby’ or a child’s doll.
But a further concern, pointed out by witnesses, was the material inadequacy of the bedding ceremony. Where was their bed? The bedding had taken place in a barn on a straw ‘bed’ that was hastily made and set upon the ground. The crucial question for Angela and I: is why was this aspect noticed by the people of the time? The next post will explain more.
All images are from Wikimedia Commons:
- St James’s Palace, Old Bed Chamber,
- Bed photographed at Freilichtmuseum
- Woodcut from The Fair Melusina / 15th century: How Reymont and Melusina were betrothed / And by the bishop were blessed in their bed on their wedlock